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CRUDE
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Saving the World for White Folks? Will Smith Racialises Science Fiction as Black Man and Man in Blao match those of the highest-paid white stars. Given his earlier success in music and television, Smith’s film career, which took off in the mid-1990s, can be characterised as a form of media diversification that both plays on and, for some, plays safe with his established star image (cf. Palmer in
flex336
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他一致
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运动的我
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