苦恼 发表于 2025-3-23 11:16:32
Eltern, ihre Probleme und ihre Beratung,gions in black films of the 1990s. The objective of this work is to consider how race, sex and religion intersect in constructing a cultural identity for African Diasporas in the United States. Although this cinematic identity is intended for African Diasporas in the US, its implication is that of a wider New World identity.enlist 发表于 2025-3-23 15:02:52
Book 2015Black Magic Woman and Narrative Film examines the transformation of the stereotypical ‘tragic mulatto‘ from tragic to empowered, as represented in independent and mainstream cinema. The author suggests that this transformation is through the character‘s journey towards African-based religions.保全 发表于 2025-3-23 21:23:32
http://reply.papertrans.cn/19/1890/188957/188957_13.pngCLAM 发表于 2025-3-24 01:23:05
http://reply.papertrans.cn/19/1890/188957/188957_14.pngCUR 发表于 2025-3-24 02:56:50
,Introduction — From ‘Tragic Mulatto’ to Black Magic Woman: Race, Sex and Religion in Film,gions in black films of the 1990s. The objective of this work is to consider how race, sex and religion intersect in constructing a cultural identity for African Diasporas in the United States. Although this cinematic identity is intended for African Diasporas in the US, its implication is that of a wider New World identity.GIDDY 发表于 2025-3-24 07:33:12
,Introduction — From ‘Tragic Mulatto’ to Black Magic Woman: Race, Sex and Religion in Film,gions in black films of the 1990s. The objective of this work is to consider how race, sex and religion intersect in constructing a cultural identity for African Diasporas in the United States. Although this cinematic identity is intended for African Diasporas in the US, its implication is that of aVldl379 发表于 2025-3-24 12:24:44
http://reply.papertrans.cn/19/1890/188957/188957_17.pnglaceration 发表于 2025-3-24 18:37:08
Beauty as Power: In/visible Woman and Womanist Film in ,heatrical release. Set in 1903 at the dawn of the twentieth century, this story chronicles the experiences of the Peazants, three generations of Gullah women and their family’s migration from the remote southern Sea Islands to the urban, industrial north of the United States. Framed amid the seemingCANON 发表于 2025-3-24 19:28:42
http://reply.papertrans.cn/19/1890/188957/188957_19.pngdeadlock 发表于 2025-3-25 00:40:40
: Baadasssss Mamas and Third Cinema in ,l of cultural identity, at times fuelling the imagination of a white southern elite eager for signifiers of cultural demarcations between themselves and their northern neighbours in the United States. African American folklore and culture, as embodied in the Voodoo lady figure, provides this desired