暗指
发表于 2025-3-25 06:58:45
http://reply.papertrans.cn/19/1853/185231/185231_21.png
鄙视
发表于 2025-3-25 08:30:58
http://reply.papertrans.cn/19/1853/185231/185231_22.png
preservative
发表于 2025-3-25 11:47:57
http://reply.papertrans.cn/19/1853/185231/185231_23.png
CHART
发表于 2025-3-25 19:51:10
http://reply.papertrans.cn/19/1853/185231/185231_24.png
有危险
发表于 2025-3-25 22:33:08
Beyond Intercultural Awareness in ELTroducts—and particularly intermedial products—do not always transmit meanings and ideas smoothly. This chapter explores a series of historical and contemporary media objects and performances that do not facilitate “successful” transfers of meaning, partly due to their intermedial configurations. Eac
清真寺
发表于 2025-3-26 03:17:39
Darren K. LaScotte,Bethany D. Peters. The author begins with a consideration of the intermedial network established within Margaret Atwood’s novel . to show that, even prior to adaptation, the Handmaid is understood as a product of intermedial transfer. The author then surveys the movement of Handmaid iconography in a variety of print
monochromatic
发表于 2025-3-26 05:59:34
http://reply.papertrans.cn/19/1853/185231/185231_27.png
Demulcent
发表于 2025-3-26 12:13:58
Christopher J. Jenks,Paul Seedhouselude media representations of different qualified media types (journalistic report, biography, and autobiography) and of specific media products (such as familiar images of people and places). The article starts with a short history of comics. It then offers a theoretical discussion of intermedialit
有角
发表于 2025-3-26 14:13:39
http://reply.papertrans.cn/19/1853/185231/185231_29.png
miniature
发表于 2025-3-26 16:56:21
Christopher J. Jenks,Paul Seedhouse the chapter is to analyse the transmediality of metalepsis; that is, its potential to be employed in various media. Based on a number of different specific media products (from the media types of literature and film), the author analyses closely how metalepsis can depend on the modalities of differ