债务人
发表于 2025-3-21 19:25:49
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Nomogram
发表于 2025-3-21 23:27:23
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SNEER
发表于 2025-3-22 02:22:05
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可以任性
发表于 2025-3-22 06:04:06
https://doi.org/10.1057/9781137340733g in what the author calls intermedial ecocriticism. The chapter sketches out the main theoretical backgrounds of this position and suggests taking an analytical approach. It also compares and discusses two different media products: an online popular science article from CarbonBrief and a Danish novel about climate change.
blithe
发表于 2025-3-22 12:16:59
Transferring Handmaids: Iconography, Adaptation, and Intermedialityticular traits or characteristics over others. The emphasis or disclosure that characterizes each iteration is accompanied by concealment; that is, as an adaptation foregrounds one particular modality, it simultaneously represses another. This tension between disclosing and concealing operates thematically and in terms of its foregrounded media.
热情赞扬
发表于 2025-3-22 13:49:09
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Exposure
发表于 2025-3-22 19:22:49
ciplinary conceptual framework.This open access book promotes the idea that all media types are multimodal and that comparing media types, through an intermedial lens, necessarily involves analysing these multimodal traits. The collection includes a series of interconnected articles that illustrate
Flounder
发表于 2025-3-23 00:24:09
Book‘‘‘‘‘‘‘‘ 2021involves analysing these multimodal traits. The collection includes a series of interconnected articles that illustrate and clarify how the concepts developed in Elleström’s influential article .The Modalities of Media: A Model for Understanding Intermedial Relations. (Palgrave Macmillan, 2010) can
CHECK
发表于 2025-3-23 01:39:08
Beyond Intercultural Awareness in ELTor purposefully as an aesthetic, social, or cultural intervention. The author argues that these concealments and intermedial “gaps” generate new modes of expression, new artistic experiences for audiences and performers, and new conceptual understandings of existing genres and media.
集中营
发表于 2025-3-23 06:09:24
https://doi.org/10.1057/9781137340733models, the author also uses Elleström’s model for analyzing media transformations. The four modalities of media, along with their qualifying aspects, are the backbone of an interpretative framework proposed to explore the presence of architecture in literature. The chapter also leans on the notions of embodiment and perspective.