LH941 发表于 2025-3-21 18:32:55

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Influx 发表于 2025-3-21 23:48:30

Afterword,t were, is modified by its contiguity to other issues, other signifiers and other texts. Though certain features of Stoker’s fiction at times appear markedly . of each other, they are seldom truly . in terms of their contextual effect on the reader.

CLAMP 发表于 2025-3-22 04:22:01

https://doi.org/10.1007/978-1-4020-8356-3ictorian and Edwardian public viewed Stoker largely as an appendage of Irving, a mythicised figure with a symbolic as well as actual role, rather than as an individual — or as an author — in his own right.

反感 发表于 2025-3-22 05:51:30

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牲畜栏 发表于 2025-3-22 11:40:27

, Chivalry, Atavism and Masculinity,he theatrical partnership of Irving and Stoker, holding up the latter as a sort of managerial Sancho Panza to his employer, and suggesting further that this physical heroism may be paralleled by equally spectacular feats of business acumen in the future.

故意钓到白杨 发表于 2025-3-22 14:06:49

The Taming of the New: Race, Biological Destiny and Assertive Womanhood,on. In his role as reader, Arrowsmith has brought into play two opposed late Victorian stereotypes. His terminology is highly technical. The adjective ‘pure’ signifies a physical and moral as well as mental and spiritual state. As one commentator on female behaviour suggested in 1890, ‘a true maiden’ should be

梯田 发表于 2025-3-22 18:04:32

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ventilate 发表于 2025-3-22 23:10:55

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Defraud 发表于 2025-3-23 05:20:31

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Consensus 发表于 2025-3-23 09:04:48

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查看完整版本: Titlebook: Beyond Dracula; Bram Stoker’s Fictio William Hughes Book 2000 William Hughes 2000 bibliography.culture.economy.fiction.gender.gothic.knowle