Interim 发表于 2025-3-28 16:48:05
One or Many Planes: The Composition of Intervals in Painting and Filmon of reality in long sequence and deep-focus shots. For Bazin and Mitry, the deep-focus shot represented a leap beyond the analytic fragmentation of action that characterized earlier forms of montage. Deep focus allowed for a more realistic presentation of events as they occurred. Mitry described tVentilator 发表于 2025-3-28 22:17:46
http://reply.papertrans.cn/19/1837/183677/183677_42.pngbreadth 发表于 2025-3-29 02:28:24
Noise Is the Presence of the Mediumns congealing into wholes that are neither simply unified nor fragmented. These are structures that Serres, like Bergson before him, calls ‘multiplicities’. In ., he gives many beautiful examples of some kinds of life that have this layered, interwoven and open quality: