Institution
发表于 2025-3-23 10:24:11
Book 2021s, the philosophical claim here is that ‘the Baroque’ names the intervallic [διαστηµατική] relation that thought establishes between things. On this account, any subject finds its unity in a concerted state of disquiet – a state-.rempli. in which, phenomenologically speaking, experience comprises as
偶像
发表于 2025-3-23 17:41:53
relation that thought establishes between things. On this account, any subject finds its unity in a concerted state of disquiet – a state-.rempli. in which, phenomenologically speaking, experience comprises as978-3-030-66400-8978-3-030-66398-8
GROUP
发表于 2025-3-23 19:01:13
,‘,’, (a Baroque Theme),ining form. Here, key aspects of Turner’s paintings and Borges’ fables are shown to adduce a sense of . that is to be understood not so much as ‘artless’ as complex. A following section reads the technical consideration of ‘intervals’ and ‘distances’ in Greek geometry in order to consider how seemin
使厌恶
发表于 2025-3-24 01:24:43
Theses on the Baroque,he chapter shows how this notorious question of art-history (of canonical definition and classification) together with the characterisation of seventeenth-century sensibility (as one of agitation and hallucination) are evinced in the distinction between seeing and reading—and how the realisation of
拾落穗
发表于 2025-3-24 05:07:48
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砍伐
发表于 2025-3-24 10:20:39
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BILIO
发表于 2025-3-24 12:34:56
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Femish
发表于 2025-3-24 14:49:56
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Neolithic
发表于 2025-3-24 19:51:34
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Perigee
发表于 2025-3-25 02:00:38
Tim FlanaganProvides the first critical close reading of Deleuze’s complex and understudied final monograph.Situates the baroque ‘crisis of reason’ within ongoing research on religion, art, and nature in post-Kan