nettle 发表于 2025-3-26 21:55:39

A Love that Kills: The Idiot,athological man of compassionate nature. However, it is possible that Dostoevsky himself did not completely grasp the ethical dilemma inherent in the narration. Rather than considering the climactic final as expression of moral or neurotic failure, we shall consider Rogozhin’s and Myshkin’s viewpoin

Infinitesimal 发表于 2025-3-27 02:01:06

http://reply.papertrans.cn/17/1671/167040/167040_32.png

存心 发表于 2025-3-27 08:09:51

Romantic Agony: Young Werther and Jacopo Ortis,odern individualism. This paper intends to demonstrate that the tragic endings of Goethe’s Werther and Foscolo’s Jacopo Ortis. represent the aesthetic expressions of Dürkheim’s suicide classification. Goethe and Foscolo, accidentally, created heroes whose tragic action aesthetically reproduces the b

故意 发表于 2025-3-27 13:00:45

http://reply.papertrans.cn/17/1671/167040/167040_34.png

Anthrp 发表于 2025-3-27 15:19:11

http://reply.papertrans.cn/17/1671/167040/167040_35.png

Pageant 发表于 2025-3-27 17:47:28

http://reply.papertrans.cn/17/1671/167040/167040_36.png

chapel 发表于 2025-3-28 00:25:07

http://reply.papertrans.cn/17/1671/167040/167040_37.png

撕裂皮肉 发表于 2025-3-28 02:28:45

The Orphans of Love,Duras’ . and Isabel Allende’s . exert upon their readers. While both texts concern a knotty tangle of characters searching for love in the wreckage of the 20th Century, central to the narrative is the enigma of the absence. Love is a muted passion, a dialectical interplay between presence and absenc

成绩上升 发表于 2025-3-28 09:54:18

http://reply.papertrans.cn/17/1671/167040/167040_39.png

落叶剂 发表于 2025-3-28 13:26:03

http://reply.papertrans.cn/17/1671/167040/167040_40.png
页: 1 2 3 [4] 5
查看完整版本: Titlebook: A Love for Nothingness, A Love for Death; The Metaphysics of D Alberto Castelli Book 2024 The Editor(s) (if applicable) and The Author(s),