epinephrine 发表于 2025-3-25 06:48:15
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Einschränkung des Formenwahlermessensathological man of compassionate nature. However, it is possible that Dostoevsky himself did not completely grasp the ethical dilemma inherent in the narration. Rather than considering the climactic final as expression of moral or neurotic failure, we shall consider Rogozhin’s and Myshkin’s viewpoinentreat 发表于 2025-3-25 17:02:19
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https://doi.org/10.1007/978-3-540-34473-5tal state that induced their death helps to engage the protagonists no more as victims of society, martyrs of fate, or wicked characters, but pathological human beings. Their psychological duality brings not an affirmation of identity but a breakdown of identity, hence turning the reader’s judgmentnitroglycerin 发表于 2025-3-26 06:44:33
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Grundbegriffe der Handlungsformen der EUeeds to summon his courage for a sort of proposal, while the Underground Man needs Liza’s love in order to escape the underground. If we consider the texts in their poignant call for authentic communication between individuals, then Prufrock and the Underground Man become the archetype of those of ubeta-carotene 发表于 2025-3-26 13:17:39
https://doi.org/10.1007/978-3-540-34473-5the bleak backdrop of Czechoslovakia occupied by Soviet tanks, the tragic love story, melancholic and violent at times, between Tomas and Tereza, invokes questions of philosophical nature. The text that opens with a reflection on Nietzsche’s doctrine of the eternal return, is a journey into fundamenCryptic 发表于 2025-3-26 20:07:42
https://doi.org/10.1007/978-3-540-34473-5Duras’ . and Isabel Allende’s . exert upon their readers. While both texts concern a knotty tangle of characters searching for love in the wreckage of the 20th Century, central to the narrative is the enigma of the absence. Love is a muted passion, a dialectical interplay between presence and absenc