Sediment 发表于 2025-3-21 18:29:30

书目名称Audience Engagement in the Performing Arts影响因子(影响力)<br>        http://figure.impactfactor.cn/if/?ISSN=BK0164968<br><br>        <br><br>书目名称Audience Engagement in the Performing Arts影响因子(影响力)学科排名<br>        http://figure.impactfactor.cn/ifr/?ISSN=BK0164968<br><br>        <br><br>书目名称Audience Engagement in the Performing Arts网络公开度<br>        http://figure.impactfactor.cn/at/?ISSN=BK0164968<br><br>        <br><br>书目名称Audience Engagement in the Performing Arts网络公开度学科排名<br>        http://figure.impactfactor.cn/atr/?ISSN=BK0164968<br><br>        <br><br>书目名称Audience Engagement in the Performing Arts被引频次<br>        http://figure.impactfactor.cn/tc/?ISSN=BK0164968<br><br>        <br><br>书目名称Audience Engagement in the Performing Arts被引频次学科排名<br>        http://figure.impactfactor.cn/tcr/?ISSN=BK0164968<br><br>        <br><br>书目名称Audience Engagement in the Performing Arts年度引用<br>        http://figure.impactfactor.cn/ii/?ISSN=BK0164968<br><br>        <br><br>书目名称Audience Engagement in the Performing Arts年度引用学科排名<br>        http://figure.impactfactor.cn/iir/?ISSN=BK0164968<br><br>        <br><br>书目名称Audience Engagement in the Performing Arts读者反馈<br>        http://figure.impactfactor.cn/5y/?ISSN=BK0164968<br><br>        <br><br>书目名称Audience Engagement in the Performing Arts读者反馈学科排名<br>        http://figure.impactfactor.cn/5yr/?ISSN=BK0164968<br><br>        <br><br>

BAIL 发表于 2025-3-21 20:48:14

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有说服力 发表于 2025-3-22 04:03:29

Book 2019ment of arts organisations. Illustrating how audiences have traditionally been side-lined, homogenised and vilified, it contends that the future paradigm of audience studies should be based on an engagement model, wherein audiences take their rightful place as subjects rather than objects of empirical research..

大厅 发表于 2025-3-22 08:27:23

Understanding Audiences: A Critical Review of Audience Research, ritual; reception theory and semiotics; research methodologies; the audience experience; value and impact research; young audiences; arts marketing and management; audience engagement and enrichment. The aim of this taxonomy is to inform a new paradigm for audience studies in the context of the performing arts.

BOAST 发表于 2025-3-22 10:35:07

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strdulate 发表于 2025-3-22 13:40:25

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tympanometry 发表于 2025-3-22 19:36:20

https://doi.org/10.1007/978-3-8349-6487-8 the relative agency that audiences have in engaging with performance. It then explores the phenomenology of audiency, including the roles that empathy, immersion, arousal, catharsis, intersubjectivity, and embodied and enactive spectatorship play in shaping audiences’ experiences.

太空 发表于 2025-3-23 00:19:12

https://doi.org/10.1007/978-3-322-94424-5his for arts organisations and for cultural policy? In response to these questions, the chapter contends that only interdisciplinary and multi-perspectival approaches will ever be nuanced enough to capture the multidimensional value of audiences’ experiences.

lattice 发表于 2025-3-23 02:19:31

https://doi.org/10.1007/978-3-322-83540-6e traditional marketing mix for contemporary philosophies, modes, and techniques of audience engagement, and suggests an alternative, audience-centred paradigm fit for contemporary arts marketing scholarship and for twenty-first-century performing arts organisations.

共栖 发表于 2025-3-23 07:17:18

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查看完整版本: Titlebook: Audience Engagement in the Performing Arts; A Critical Analysis Ben Walmsley Book 2019 The Editor(s) (if applicable) and The Author(s) 2019