commute 发表于 2025-3-23 13:02:03

Dirk Piekenbrock,Michael Olssonion with audiences. In order to illustrate how theories pertaining to digital engagement play out in practice, the chapter presents four case studies: National Theatre of Scotland’s .-., Bristol’s Watershed, Brooklyn Museum, and Yorkshire Dance’s . project.

阴险 发表于 2025-3-23 17:01:08

http://reply.papertrans.cn/17/1650/164968/164968_12.png

Narrative 发表于 2025-3-23 18:49:10

http://reply.papertrans.cn/17/1650/164968/164968_13.png

高贵领导 发表于 2025-3-24 02:10:23

http://reply.papertrans.cn/17/1650/164968/164968_14.png

Pastry 发表于 2025-3-24 04:04:56

http://reply.papertrans.cn/17/1650/164968/164968_15.png

使入迷 发表于 2025-3-24 09:13:00

http://reply.papertrans.cn/17/1650/164968/164968_16.png

Minutes 发表于 2025-3-24 14:25:18

http://reply.papertrans.cn/17/1650/164968/164968_17.png

APNEA 发表于 2025-3-24 18:52:09

Engaging Audiences Through Digital Technologies,ion with audiences. In order to illustrate how theories pertaining to digital engagement play out in practice, the chapter presents four case studies: National Theatre of Scotland’s .-., Bristol’s Watershed, Brooklyn Museum, and Yorkshire Dance’s . project.

粗糙 发表于 2025-3-24 23:03:34

Conclusions and Implications, case for audience-centric organisations fuelled by mutually beneficial relationships of artistic exchange. Finally, the chapter offers some overall conclusions and speculates about the likely direction of future research in the field.

NOTCH 发表于 2025-3-25 01:03:55

http://reply.papertrans.cn/17/1650/164968/164968_20.png
页: 1 [2] 3 4 5
查看完整版本: Titlebook: Audience Engagement in the Performing Arts; A Critical Analysis Ben Walmsley Book 2019 The Editor(s) (if applicable) and The Author(s) 2019