Host142
发表于 2025-3-23 11:24:48
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ADJ
发表于 2025-3-23 16:47:16
Maria Alina AsaveiConsiders how artists have refashioned the meanings and purposes of religious art for political ends during and after communism.Spans the fields of contemporary history, political theory, history of r
空中
发表于 2025-3-23 21:57:24
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AWL
发表于 2025-3-24 01:53:29
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土产
发表于 2025-3-24 06:16:44
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暗指
发表于 2025-3-24 10:21:55
Book 2020on functioned as a form of resistance, directed against both Romanian national communism (1960-1989) and, latterly, consumerist society and its global market. It investigates the critical, tactical and subversive employments of religious motifs and themes in contemporary art pieces that confront the
期满
发表于 2025-3-24 13:19:32
Art, Politics and Religion in (Post-)Communist Romania: An Introduction,religious inspiration alludes to a peculiar form of cultural memory—longing for a spiritual state of humankind (a symbolic Paradise Lost)—that can also be employed as a revitalization of the soul against a background of atomization and alienation of modern lifestyle, overlapping injustices, political violence and economic precariousness.
舔食
发表于 2025-3-24 14:52:46
The Body in (Post-)Communist Art: A Site of Salvation and Resistance,ituals and sacraments but also of the realization of the highest human potentiality for freedom and salvation of the soul through “self-care” that does not preclude the care for other human beings. For the artists discussed in this chapter . takes precedence over ..
艰苦地移动
发表于 2025-3-24 21:04:09
Book 2020 religious ‘affair’ in post-communist Romania. In doing so, it addresses a key gap in previous scholarship, which has paid little attention to the relationship between religious art and political resistance in communist Central and South-East Europe. .
artless
发表于 2025-3-25 00:54:45
Thermal and energy properties in processing,the pretension of offering an exhaustive list: for example, “cultural resistance” understood as critical complicity with the official canon of cultural production; “cultural resistance” understood as (religious) art collecting and resistance through the art of religious inspiration.