倔强一点
发表于 2025-3-25 05:00:02
en diplomacy and art in a century-old building.Illustrates tThis is a history of the Centre William Rappard, the first building designed to house an international organization in Geneva, and its art treasures. For nearly a century, these works of art and decorations offered by governments and instit
入会
发表于 2025-3-25 08:22:48
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裹住
发表于 2025-3-25 11:55:02
https://doi.org/10.1007/978-1-349-22453-1 architect George Épitaux objected and the painting was hidden under dark wooden panels. No consideration was given to the status of official gift by the Spanish government and to the various messages embedded in this work of art.
锉屑
发表于 2025-3-25 17:33:50
https://doi.org/10.1007/978-1-4614-4936-2ons, Roger Praplan, proceeded to remove and cover major works of art, including those by Albert Hahn Jr., Gustave-Louis Jaulmes and Dean Cornwell. As a result, these works were hidden during decades and mostly forgotten from collective memory.
prick-test
发表于 2025-3-25 22:54:06
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fatty-streak
发表于 2025-3-26 03:32:19
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柔美流畅
发表于 2025-3-26 04:45:25
1926: Metaphors of Hope,ation systems. The organization inspired authors such as Alice Rivaz, Alfred Benson and Albert Cohen to create fictional stories and characters. A new frontier between public and private art determined the fate of the artworks in the building.
glucagon
发表于 2025-3-26 11:11:24
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nutrition
发表于 2025-3-26 14:10:10
,1977: “Profane, sentimentalist, almost human”—The GATT Secretariat in the Centre William Rappard,ons, Roger Praplan, proceeded to remove and cover major works of art, including those by Albert Hahn Jr., Gustave-Louis Jaulmes and Dean Cornwell. As a result, these works were hidden during decades and mostly forgotten from collective memory.
Diverticulitis
发表于 2025-3-26 17:09:49
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