Memorial
发表于 2025-3-28 18:36:20
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forbid
发表于 2025-3-28 19:07:06
“The Motto of the Mollusc”: Patricia Highsmith and the Semiotics of Snailsmith uses snails, and her characters’ attitudes towards them, to register a range of responses to American capitalist culture in the mid-twentieth century..In ., Gaston Bachelard’s “motto of the mollusc” regards the snail as a symbol of reciprocity between individual and environment. Highsmith’s cha
Canyon
发表于 2025-3-28 23:53:42
“Before the white man came, when animals still talked”: Colonial Creatures in Sherman Alexie’s , ande writing, wherein trickster discourse and animal mythology serve as impulses towards a comprehensive and political understanding of the existence of humans and other animals on all physical and spiritual realms. Countering Western representations of Indigenous peoples and animals as othered creatur
Arboreal
发表于 2025-3-29 04:43:23
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Accomplish
发表于 2025-3-29 08:08:36
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BRAVE
发表于 2025-3-29 13:42:36
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Myofibrils
发表于 2025-3-29 16:59:23
https://doi.org/10.1007/978-3-031-09241-1animal studies; Human-Animal interaction; animal ethics; detective fiction; crime fiction; science fictio
秘方药
发表于 2025-3-29 22:27:15
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变形词
发表于 2025-3-30 01:55:08
https://doi.org/10.1007/978-94-011-2378-5o begin to redress the curious lack of creatures in critical engagements with the detective form and in doing so to reconceive the genre as one in which the question of species is key. To do so, we offer two case studies. In the first we explore the origins of the detective form in Edgar Allan Poe’s
松果
发表于 2025-3-30 07:59:57
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