蒙太奇 发表于 2025-3-28 15:54:49
https://doi.org/10.1007/978-3-030-74377-2prosthetics; amputation; linguistics of amputation; politics of amputation; sexuality and amputation; losHalfhearted 发表于 2025-3-28 19:32:03
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Machtfreiheit als negative Utopielity studies, the introduction argues that the narratives generated by amputation confront a complicated dialectics of loss and gain that deserves further study. Using Viktoria Modesta’s music video “Prototype” as an example, the introduction emphasizes the need to combine historical, social, culturAura231 发表于 2025-3-29 09:00:22
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https://doi.org/10.1007/978-94-010-3643-6h a focus on embodiment and affect, explores the cultural and political—and often gendered—signification of corporeal dismemberment. Distancing itself from a psychoanalytic reading of amputation, it moves toward a politicized, historical, and specifically gendered reading, examining amputation as an损坏 发表于 2025-3-29 16:56:09
https://doi.org/10.1007/978-94-010-3643-6ighting the paradoxical role of the amputee veteran in Soviet commemoration politics between hero cult and stigmatization. Analyzing Boris Polevoi’s canonic Socialist realist . (1946) as a foil to Oleg Rossiyanov’s . (2007) and Eduard Kochergin’s . (2003), which criticize the Stalinist regime, the coblique 发表于 2025-3-29 21:54:15
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https://doi.org/10.1007/978-3-476-05802-7e representation of amputation and the intersection between disability and gender. In nineteenth-century Spanish society, disability seems to confirm rather than create “defective femininity.” In contrast to previous readings of the film as an expression of Tristana’s emancipation, the chapter argueHomocystinuria 发表于 2025-3-30 05:45:01
Mark Bechtel,Christoph Oliver Mayers the ways in which Paul Rayment’s response to the amputation of his leg following a cycling accident highlights the complex entanglements of age, masculinity, and the need for human connection. The chapter argues that Paul’s surgery effectively inaugurates his senescence, thereby casting him sudden