和平
发表于 2025-3-26 23:16:16
The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of ,ts typically feminised suburban domestic space as the basis of an alternative Australian gothic, distinct from those films that equate Australianness with masculinity. Although Kent herself emphasises the deliberate placelessness of her film, this discussion focuses on how its depiction of a haunted
vasculitis
发表于 2025-3-27 03:54:21
http://reply.papertrans.cn/16/1547/154621/154621_32.png
FLAT
发表于 2025-3-27 06:13:05
http://reply.papertrans.cn/16/1547/154621/154621_33.png
PANG
发表于 2025-3-27 11:52:53
http://reply.papertrans.cn/16/1547/154621/154621_34.png
Allodynia
发表于 2025-3-27 14:35:59
Defining Neverland: P. J. Hogan, J. M. Barrie and , in Post-Mabo Australiaoffice. Yet, Hogan’s version of J.M. Barrie’s most famous narratives merits discussion as a work that positions colonialism’s lingering influence in dialogue with the nation’s anxieties over globalized forces such as Hollywood. Chapter . argues that, by reframing Barrie’s Neverland within the contex
Dysarthria
发表于 2025-3-27 18:49:55
http://reply.papertrans.cn/16/1547/154621/154621_36.png
PRO
发表于 2025-3-27 23:20:21
ly porous production, distribution, and exhibition associati.This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent st
gruelling
发表于 2025-3-28 03:35:50
http://reply.papertrans.cn/16/1547/154621/154621_38.png
Obverse
发表于 2025-3-28 09:37:56
Die Ermittlung der inneren Spannungen,d styles with which First Nation films have entered into dialogue with American cinema, my focus is on two very different Aboriginal filmmakers, Tracey Moffatt and Ivan Sen, whose films demonstrate processes of intercultural exchange and fusion with Hollywood cinema.
项目
发表于 2025-3-28 14:01:00
http://reply.papertrans.cn/16/1547/154621/154621_40.png