Fillmore
发表于 2025-3-21 17:42:15
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Cloudburst
发表于 2025-3-21 23:20:31
Avant-garde scenography and the frames of the theatrethe first American comedy), the good-hearted but simple character Jonathan is tricked into going to the theatre – an activity that he perceives as immoral, but of which he has had no experience. Questioned afterward, he comments on the peculiar architecture to be found in New York City that permits
裂口
发表于 2025-3-22 04:00:03
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Firefly
发表于 2025-3-22 07:59:43
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FLASK
发表于 2025-3-22 09:14:37
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老巫婆
发表于 2025-3-22 13:53:00
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probate
发表于 2025-3-22 17:53:33
Mallarmé, Maeterlinck and the symbolist via negativa of theatret’s engagement with theatre. The verbal play from . to . is at the hub of the matter: a rejection of theatre that leads to – that is perhaps even the . – a triumphant reclaiming of the theatrical. Mallarmé, theatre critic for the ., is ostensibly giving his reasons for not going to the theatre – he
精美食品
发表于 2025-3-22 23:47:27
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limber
发表于 2025-3-23 04:25:22
The curse of legitimacyities, a ‘paradise for playwrights’, in Brenda Murphy’s words.1 On the average, more than 200 new productions opened each year on the Great White Way.2 By 1927, there were 76 theatres in New York City used for plays and musical comedies, twice as many as had been available only 12 years before.3 Alt
declamation
发表于 2025-3-23 07:03:21
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