不容置疑
发表于 2025-3-25 06:23:42
Engla Ling,Robert Lagerström,Mathias Ekstedto’, modelled on that at the Chicago World’s Fair, and featuring teenage Oriental dancers performing a ‘.’ (see Figure 1).1 After the performance opened, with four musicians costumed as Turks seated on a divan on ‘the rickety stage’, the dancers emerged: Zuleika, ‘arrayed in red silk Turkish trousers
cumber
发表于 2025-3-25 10:16:02
Finding Fast Flux Traffic in DNS Haystacking through every nerve-end to the dubious heart of drama, which has from whatever beginnings always distrusted the theatre. I’m not merely referring here, with the author living or dead, to a certain protectionism of the text against the depredations of the stage, a tradition extending, at times wi
确定方向
发表于 2025-3-25 13:31:45
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先兆
发表于 2025-3-25 17:42:07
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RADE
发表于 2025-3-25 23:43:53
‘All the Frame’s a Stage’: (Anti-)theatricality and cinematic modernismThe history of cinema is often treated as the history of its emancipation from theatrical models . . . Movies are regarded as advancing from theatrical stasis to cinematic fluidity, from theatrical artificiality to cinematic naturalness and immediateness. But this view is far too simple.
unstable-angina
发表于 2025-3-26 01:34:01
Against Theatre978-0-230-28908-6Series ISSN 2947-5600 Series E-ISSN 2947-5619
conjunctiva
发表于 2025-3-26 06:32:55
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脖子
发表于 2025-3-26 09:00:39
https://doi.org/10.1057/9780230289086clown; drama; film; Modernism; Narrative; naturalism; stage; theatre
Allodynia
发表于 2025-3-26 15:06:55
978-0-230-53745-3Palgrave Macmillan, a division of Macmillan Publishers Limited 2006
顶点
发表于 2025-3-26 18:50:55
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