invade
发表于 2025-3-25 06:46:42
Conclusion, that affect must be “an extensive form of con. [.]: a transmission that communicates in different spaces, and does so tangibly” (2002: 214, original emphasis). Affect as a palpably intersubjective materialization—regardless of its transitory but nearly always seizing nature alongside basic emotions
净礼
发表于 2025-3-25 08:48:14
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警告
发表于 2025-3-25 14:25:51
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exhilaration
发表于 2025-3-25 17:55:09
https://doi.org/10.1057/978-1-137-49642-3women directors; sociopolitical filmmaking; Argentine women filmmakers; Argentine cinema; Latin American
POWER
发表于 2025-3-25 20:48:36
The Editor(s) (if applicable) and The Author(s) 2018
Locale
发表于 2025-3-26 01:53:14
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conceal
发表于 2025-3-26 08:07:23
Petter Gottschalk,Christopher Hamerton008), reflects these thematic pillars from a seemingly oxymoronic standpoint—that is, from an autistic child’s observations of and impacts on her immediate surroundings. The autistic child’s presence manifests, above all, affectively, even as . brims with emotional outbursts. As the film unfolds, th
明智的人
发表于 2025-3-26 08:49:10
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CERE
发表于 2025-3-26 15:17:34
Corporate Social Responsibilityssibility comes to life in the form of despondency, simultaneously disallowing that the protagonist’s confusion and alienation be completely obscure or unbroken. Despondency in the film is not just another word for melancholy in Freud’s terms. Freud’s classical discussions on melancholy suggest that
冥想后
发表于 2025-3-26 18:30:59
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