LIMN
发表于 2025-3-23 13:09:21
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逃避责任
发表于 2025-3-23 16:30:27
Corporate Social Responsibility individual. Overcoming grief consequently entails a gradual approach, or takes place “piece by piece, with an expenditure of time and energy.” The despondent state that the protagonist feels in Puenzo’s film echoes a state of being that acknowledges and knows the potential for a concrete loss—the protagonist’s intersex subjectivity.
Dysarthria
发表于 2025-3-23 19:54:35
Bold Boredoms, Libidinous Affects, individual. Overcoming grief consequently entails a gradual approach, or takes place “piece by piece, with an expenditure of time and energy.” The despondent state that the protagonist feels in Puenzo’s film echoes a state of being that acknowledges and knows the potential for a concrete loss—the protagonist’s intersex subjectivity.
ADORN
发表于 2025-3-24 02:12:47
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不能强迫我
发表于 2025-3-24 02:41:23
Schlussbetrachtung und Ausblick,—indeed connects aesthetically dissimilar films anew through a gendered perspective in .. In so doing, this book has highlighted the ways in which several prominent women filmmakers have innovatively contributed to the NAC’s morphing to heterogeneous aesthetic directions.
美色花钱
发表于 2025-3-24 09:10:28
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flammable
发表于 2025-3-24 10:53:51
Introduction,nd between women and cinema in Argentina, academic research still continues to be patchy. This book fills in parts of such lacunae, as it draws more nuanced attention to the place of affect in the films of Argentina’s most prominent, prolific, and internationally reputable women directors. In a rece
出血
发表于 2025-3-24 15:20:29
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follicle
发表于 2025-3-24 21:12:59
Remediations and Affect,ematically linked to other directors and their films—Andrés Habegger’s . (2000), María Inés Roqué’s . (2000), Marcelo Piñeyro’s . (2002), and Nicolás Prividera’s . (2007)—Carri carved out .’s singular impact aesthetically and politically both at home and abroad almost instantly. At the rudimentary t
exclamation
发表于 2025-3-24 23:26:24
Bold Boredoms, Libidinous Affects,ssibility comes to life in the form of despondency, simultaneously disallowing that the protagonist’s confusion and alienation be completely obscure or unbroken. Despondency in the film is not just another word for melancholy in Freud’s terms. Freud’s classical discussions on melancholy suggest that