deviate
发表于 2025-3-23 12:58:52
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infringe
发表于 2025-3-23 16:32:48
2947-5848 diplomacy in promoting gender equality, representations of the female performing body, and the sexual vectors of social change in theatre.978-1-349-68378-9978-1-137-43899-7Series ISSN 2947-5848 Series E-ISSN 2947-5856
水土
发表于 2025-3-23 20:43:56
The Rise and Fall of Controlled Drinking, a digital humanities analysis to answer the question: what accounts for the global success of this play? We consider the question from two angles: cultural transmission and adaptation. By tracing the cultural transmission of the play through its global performances we uncover the social, economic,
鞠躬
发表于 2025-3-24 00:59:52
https://doi.org/10.1007/978-3-642-11027-6ratives of Ibsen’s career by revealing an early commercial history of his most popular play. Twenty-two Noras were responsible for spreading the play around the world; this chapter follows their journeys to Asia, Australasia, and the Americas, and examines the critical reception of their performance
MEEK
发表于 2025-3-24 04:29:51
https://doi.org/10.1007/978-3-662-26739-4tain 1889, the USA 1938 and 1987, India 1958, Germany 1981, Nigeria 2006, Japan 2006, Pakistan 2006, Malawi 2006, China 2010, and Chile 2012–the chapter provides visualisations of dramaturgical structures that make us rethink theatrical adaptation. Four key areas emerge: the importance of temporal s
CROAK
发表于 2025-3-24 07:49:37
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Affectation
发表于 2025-3-24 14:35:25
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极力证明
发表于 2025-3-24 16:47:34
Palgrave Studies in Performance and Technologyhttp://image.papertrans.cn/a/image/140888.jpg
antedate
发表于 2025-3-24 20:50:29
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小步舞
发表于 2025-3-25 01:04:04
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