奇怪
发表于 2025-3-27 01:02:22
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Criteria
发表于 2025-3-27 01:15:25
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拔出
发表于 2025-3-27 05:30:18
https://doi.org/10.1057/978113743971020;Jahrhundert; 20th century; Bertolt Brecht; Brecht; Europe; fiction; gender; Germany; Goethe; history; Joha
FEAS
发表于 2025-3-27 11:32:24
978-1-349-45859-2Ofelia Ferrán and Gina Herrmann 2014
Ccu106
发表于 2025-3-27 17:28:54
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文字
发表于 2025-3-27 18:31:57
https://doi.org/10.1007/978-1-4419-9198-0 Jorge Semprún (Madrid, 1923-Paris, 2011). Semprún led an extraordinary and risky life; he suffered and actively fought against Stalinism, Nazism, and Francoism (Figure 0.1). His oeuvre transcends national borders, speaks to different cultural and linguistic traditions, and grapples with the difficu
树木中
发表于 2025-3-28 00:25:38
Nidhi Parikh,Madhav Marathe,Samarth Swarup novelist) (. 288), is the ongoing process of interrogating an identity structured by both political engagement and literature. From among the many elements comprising this plural identity, the present chapter is concerned with one of crucial significance: Semprún’s connection to his family as well
没有希望
发表于 2025-3-28 03:06:07
A National Heat Demand Model for Germanye: between his Spanish and French identities, between the memory of exile and the post-Franco reconciliation. Biriatu is a small Basque-French town along the shore of the Bidasoa river, a watery frontier flowing toward the Cantabrian Sea that Semprún often used as a rest stop on his clandestine trip
分期付款
发表于 2025-3-28 09:06:33
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飞行员
发表于 2025-3-28 13:09:24
Jens Pfau,Michael Kirley,Yoshihisa Kashima. “Der Tode… ein Meister aus Deutschland” (Death … a master from Germany). takes the center stage in Jorge Semprún’s inquiry into the nature of radical evil as it manifested itself in Buchenwald and, as the protagonist of his narratives is to discover, also in the parallel kingdom of Stalin’s Gulags