JADE
发表于 2025-3-21 16:26:54
书目名称Women, Pleasure, Film影响因子(影响力)<br> http://figure.impactfactor.cn/if/?ISSN=BK1030530<br><br> <br><br>书目名称Women, Pleasure, Film影响因子(影响力)学科排名<br> http://figure.impactfactor.cn/ifr/?ISSN=BK1030530<br><br> <br><br>书目名称Women, Pleasure, Film网络公开度<br> http://figure.impactfactor.cn/at/?ISSN=BK1030530<br><br> <br><br>书目名称Women, Pleasure, Film网络公开度学科排名<br> http://figure.impactfactor.cn/atr/?ISSN=BK1030530<br><br> <br><br>书目名称Women, Pleasure, Film被引频次<br> http://figure.impactfactor.cn/tc/?ISSN=BK1030530<br><br> <br><br>书目名称Women, Pleasure, Film被引频次学科排名<br> http://figure.impactfactor.cn/tcr/?ISSN=BK1030530<br><br> <br><br>书目名称Women, Pleasure, Film年度引用<br> http://figure.impactfactor.cn/ii/?ISSN=BK1030530<br><br> <br><br>书目名称Women, Pleasure, Film年度引用学科排名<br> http://figure.impactfactor.cn/iir/?ISSN=BK1030530<br><br> <br><br>书目名称Women, Pleasure, Film读者反馈<br> http://figure.impactfactor.cn/5y/?ISSN=BK1030530<br><br> <br><br>书目名称Women, Pleasure, Film读者反馈学科排名<br> http://figure.impactfactor.cn/5yr/?ISSN=BK1030530<br><br> <br><br>
改良
发表于 2025-3-21 20:44:55
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pulmonary
发表于 2025-3-22 01:26:11
the femmefatale. Lola embodies a recognizable set of characteristics through which overtime a select group of directors, actors, and audiences have responded in waysthat do not succumb to the imperatives of gender. There are over thirty-fiveLola films, starting with Marlene Dietrich in The Blue Ang
秘方药
发表于 2025-3-22 08:12:51
c and enduring aspect of theearly twentieth-century "new woman": woman‘s forthright claim to pleasure on herown terms, liberated, if only as a cinematic fantasy, from the usual constraintsof sex and gender..978-1-137-30973-0
Mhc-Molecule
发表于 2025-3-22 11:44:56
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举止粗野的人
发表于 2025-3-22 13:34:40
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happiness
发表于 2025-3-22 19:39:43
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适宜
发表于 2025-3-22 21:35:37
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arthrodesis
发表于 2025-3-23 02:03:01
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motor-unit
发表于 2025-3-23 07:38:24
“Bracketing” Our Prejudices: What Is the Phenomenological Reduction? the “non-ego state of the mind” that we saw at the end of Chapter .. In this chapter, we will first compare zazen and the phenomenologicalreduction by looking at the descriptions of the German philosopher, Eugen Herrigel (1884–1955), who, by becoming one with the breath, was able to realize “no-min