漏出 发表于 2025-3-21 19:52:30

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过于光泽 发表于 2025-3-21 21:10:15

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Extricate 发表于 2025-3-22 03:29:07

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Interstellar 发表于 2025-3-22 07:22:35

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因无茶而冷淡 发表于 2025-3-22 09:13:34

Maura SmythRevitalizes an important but dismissed trope in literary history and the history of gender studies.Examines a wealth of source material including works by Margaret Cavendish, Aphra Behn, Delarivier Ma

Wordlist 发表于 2025-3-22 16:50:41

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Audiometry 发表于 2025-3-22 20:35:52

Margaret Cavendish’s Fashioning of Fancyiful threads in Hobbes and Milton’s texts. She simultaneously casts herself as a monarch (“Margaret the First,” ruler of the Blazing World) and as a kind of Eve (a “happy creatoress”), all under the sign of Fancy—thereby herself becoming its personification.

absolve 发表于 2025-3-22 23:29:07

Going Undercover with Aphra Behn’s “Female Pen”iantly deploys it through the geographical appropriation of the real place of Surinam, which she represents as a place of abundant Fancy. Behn grants her narrator the ability to illuminate these spaces, thus developing the specifically female narrative voice for what will become the novelistic imagination.

易怒 发表于 2025-3-23 03:17:22

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strdulate 发表于 2025-3-23 08:02:14

Afterword: Fancy and the Tinctures, Tones, and Flavors of Historyistoriography, Barbauld seeks to shape her readers’ critical insight through attention to the subtle sensory qualities of tincture, tone, and flavor so that they may glimpse these fanciful, oft-unnoticed spaces across time.
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查看完整版本: Titlebook: Women Writing Fancy; Authorship and Auton Maura Smyth Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Fancy.Women‘s Writing.