用树皮
发表于 2025-3-23 13:33:46
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泛滥
发表于 2025-3-23 17:48:02
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output
发表于 2025-3-23 18:55:01
,Ipseity’s Ownness and Uniqueness,l as spirit and soul which are prior to any contrast-effect derived from meeting other I’s. Because the first-person non-reflective and indexical knowledge of oneself is non-ascriptive, non-criterial, non-identifying knowledge, we must distinguish the knowing of oneself as a person and the non-sorta
为敌
发表于 2025-3-23 23:28:21
Love as the Fulfillment of the Second-Person Perspective,on. A distinctive form of second-person reference is the “social-communicative” or “illocutionary act.” Second-person reference requires making comparisons with first-person reference, e.g., how there is a form of the presencing of the You which is non-ascriptive and non-criterial, and how this has
Incise
发表于 2025-3-24 04:22:12
Ontology and Meontology of I-ness,contrast to the identifying knowledge we have of everything else, including persons. Who one is is not in every respect coincident with what one is and who one is is not in every respect individuated by what one is. We adopt the thesis that who one is as “the myself” is individuated ., that what “I”
Dealing
发表于 2025-3-24 08:10:22
The Paradoxes of the Transcendental Person,hin this context there is the basic tension between what, for the natural attitude, is a part, i.e., the transcendental I, that appears to swallow up the whole, i.e., the world. For Husserl the wrestle with these matters is the thematization of “the transcendental person, i.e., how the transcendenta
挑剔为人
发表于 2025-3-24 12:40:05
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Folklore
发表于 2025-3-24 18:02:52
The Afterlife and the Transcendental I,loped further with an examination of the ancient view that “sleep is the brother of death” and Vedantan theories of death and sleep. The “conservationist optic” that the death of a person is the equivalent of the extinction of a member of a species is criticized. We then embark on the task of concei
crucial
发表于 2025-3-24 22:22:16
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Distribution
发表于 2025-3-25 00:30:10
Phenomenological Preliminaries,otherapy, and art. We wrestle with the motive for the reduction and how it is possible for there to be disengagement from the world. Finally there is touched upon the elemental role language and intersubjectivity play in the setting established by the reduction.