Trochlea 发表于 2025-3-25 04:39:15
The Broken Heart,Moreover, the terms in which the play is frequently praised (‘in . we have the nearest English approach to the pure form of French classical tragedy’) do not make it sound particularly appealing to English theatrical tastes.. It would be easy to conclude that here we have a simple opposition betweenbisphosphonate 发表于 2025-3-25 08:57:38
The Broken Heart,Moreover, the terms in which the play is frequently praised (‘in . we have the nearest English approach to the pure form of French classical tragedy’) do not make it sound particularly appealing to English theatrical tastes.. It would be easy to conclude that here we have a simple opposition betweenHeart-Rate 发表于 2025-3-25 13:27:13
http://reply.papertrans.cn/103/10218/1021780/1021780_23.png法律 发表于 2025-3-25 19:38:07
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Perkin Warbeck,ionship between writer and audience, to create a horizon of expectations which will help to determine the significance of what is presented. The ‘meaning’ of a literary work cannot be derived from its words and sentences alone but from the ‘total utterance’ of its publication or performance in a par垄断 发表于 2025-3-26 06:09:55
Macmillan Publishers Limited 1995缓解 发表于 2025-3-26 10:23:19
English Dramatistshttp://image.papertrans.cn/w/image/1021780.jpgTrypsin 发表于 2025-3-26 16:33:42
https://doi.org/10.1007/978-1-349-23853-8Analyse; drama; dramatist; law; Romanticism; theatre; British and Irish LiteratureFirefly 发表于 2025-3-26 18:00:40
,The Devil’s Law-Case,fulfil. Written soon after the great tragedies, it is filled with verbal, visual and situational echoes of the earlier plays but has often been described in terms reminiscent of Donne’s insulting ‘compliment’ to a woman: