Admonish
发表于 2025-3-28 16:08:13
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flamboyant
发表于 2025-3-28 21:40:45
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conformity
发表于 2025-3-29 00:18:46
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MONY
发表于 2025-3-29 06:47:59
,On Screen and at Arm’s Length: Social Class and the Simulation of Combat,the Falkland War. It argues that this not only serves a newly technocratic conception of war, but also increases the distance between enlisted men and officers, and creates a means to symbolically shield officers from physical harm. In addition to showing how sports and schooling differently encultu
CURL
发表于 2025-3-29 09:05:07
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愤愤不平
发表于 2025-3-29 15:11:03
The Bomb and After: Fantasies of Apocalypse and Decline,nuclear anxieties were represented on screen, and analyzing the allegories and fantasies that attended to such a feeling of national inadequacy and perceived decline. It surveys a wide range of film types, from newsreels to James Bond features, and looks at how ideas about war during this period mig
高谈阔论
发表于 2025-3-29 19:00:08
Conclusion: The Legacies of 1960s and 1970s War Representation, from Thatcher to Brexit,within the genre in the long run, whereas others are now routine in the representation of war. In particular, the chapter looks at war and art cinema, war representation under Thatcher, and recent trends. The chapter contains two case studies. . (2015–2016) shows how film and television representati
变色龙
发表于 2025-3-29 20:46:57
Conclusion: The Legacies of 1960s and 1970s War Representation, from Thatcher to Brexit,within the genre in the long run, whereas others are now routine in the representation of war. In particular, the chapter looks at war and art cinema, war representation under Thatcher, and recent trends. The chapter contains two case studies. . (2015–2016) shows how film and television representati
enlist
发表于 2025-3-30 02:28:50
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