全部逛商店
发表于 2025-3-27 00:39:52
,Comic and Satirical Alternatives to the “Pleasure Culture of War”,s genres, it compares two films written by Charles Wood, . (1968) and . (1967), and looks at how these films combine Wood’s penchant for comic irony with varied modernist techniques stressed by the directors (Tony Richardson and Richard Lester, respectively).
浮雕宝石
发表于 2025-3-27 02:54:30
http://reply.papertrans.cn/103/10205/1020459/1020459_32.png
流浪者
发表于 2025-3-27 08:19:57
http://reply.papertrans.cn/103/10205/1020459/1020459_33.png
COW
发表于 2025-3-27 10:54:59
http://reply.papertrans.cn/103/10205/1020459/1020459_34.png
注视
发表于 2025-3-27 16:47:43
Conclusion: The Legacies of 1960s and 1970s War Representation, from Thatcher to Brexit,ons of war have expanded to include more peripheral and distanced elements (and have focused more on noncombatant contributions to war). . (2017) shows how war representation is still stuck between discourses of realism and modes of spectacularization.
外科医生
发表于 2025-3-27 19:54:57
Conclusion: The Legacies of 1960s and 1970s War Representation, from Thatcher to Brexit,ons of war have expanded to include more peripheral and distanced elements (and have focused more on noncombatant contributions to war). . (2017) shows how war representation is still stuck between discourses of realism and modes of spectacularization.
令人悲伤
发表于 2025-3-28 00:10:14
http://reply.papertrans.cn/103/10205/1020459/1020459_37.png
Functional
发表于 2025-3-28 03:00:26
http://reply.papertrans.cn/103/10205/1020459/1020459_38.png
我还要背着他
发表于 2025-3-28 09:49:58
,Tragedy, Bleakness, Cynicism, and Existentialism in British War Cinema, 1956–1982,ntext for this emphasis and surveys key films to explore these themes and moods. In this post-World War II moment, absent an urgent propaganda mandate, war films begin to feature hopeless and bleak endings more generally. A case study comparing two films directed by Joseph Losey, . (1964) and . (197
无表情
发表于 2025-3-28 11:06:12
http://reply.papertrans.cn/103/10205/1020459/1020459_40.png