遵循的规范
发表于 2025-3-28 17:39:00
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使尴尬
发表于 2025-3-28 22:37:38
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inchoate
发表于 2025-3-29 00:29:18
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dilute
发表于 2025-3-29 06:50:09
How Poetry Comes to Him: An Excursion to Gary Snyder’s Wild Poeticsldness in a natural environment. Such scenes must be discovered on foot; the physical connection with nature precedes inspiration. I read the poem as a myth of origins, distinguishing three levels on which walking is significant. First, as an enabling .; second, as an . of poetic inspiration; and th
抓住他投降
发表于 2025-3-29 08:05:32
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图画文字
发表于 2025-3-29 11:26:31
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羽饰
发表于 2025-3-29 17:39:43
Walking with the World: Toward an Ecological Approach to Performative Art Practiceational ecology begins to evolve. I begin with a concept of walking as a “minor practice” that seeks a creative flight from the structured places of the city and from a body’s own capacity to succumb to habit and a loss of breadth of expression. Erin Manning’s writing on the moving body and Arakawa
PRISE
发表于 2025-3-29 20:53:34
Marianne Colston’s Art of Walking: Gendering the Picturesque in ,side her . we frequently find locals who walk and explore the landscape. Moreover, her interest in pedestrian mobility seems related to certain activities and social status. It is furthercomplicated, I argue, by her gender position: what is foregrounded in these illustrations is not an aestheticized
euphoria
发表于 2025-3-30 02:21:49
The Art of Walking and the Mindscapes of Trauma in Thomas De Quincey’s Autobiographical Works: The Porm. He relocated the “peripatetic” in a new, darker environment—the metropolis and its pariahs—sowing the seeds of many modern urban ., and becoming the literary architect of modern London as an enigmatic, alien, palimpsest-like mindscape controlled by a subliminal and emotional form of logic foste
Postulate
发表于 2025-3-30 07:36:48
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