Incommensurate 发表于 2025-3-25 04:29:06
Marianne Colston’s Art of Walking: Gendering the Picturesque in ,ties and social status. It is furthercomplicated, I argue, by her gender position: what is foregrounded in these illustrations is not an aestheticized view of the landscape or of country folks. Rather, Colston set out to create a visual space of her own, a space where she could be seen as an aesthetic subject rather than an aesthetic object.易弯曲 发表于 2025-3-25 10:19:45
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Wayfaring in the Megacity: Tsai Ming-Liang’s , and Lav Diaz’s ,nd sprawling urban territory. The film alternates, in its final hours, between tropical forest and the megacity outskirts. In these long-take sequences, wayfaring testifies to an unresolved conflict inherited from the past.是突袭 发表于 2025-3-26 04:24:10
A Juggernaut in the Streets of London: Walking as Destructive Force in R.L. Stevenson’s ,blished order, he also wields the power of walking against other pedestrians, often preventing them from creating city-texts of their own. Thus, destructive walking holds threatening implications for De Certeau’s diverse, street-level city.纪念 发表于 2025-3-26 10:16:38
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