渗漏
发表于 2025-3-21 19:20:37
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Incommensurate
发表于 2025-3-21 22:53:54
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glisten
发表于 2025-3-22 01:55:53
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Orchiectomy
发表于 2025-3-22 07:12:56
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汇总
发表于 2025-3-22 10:15:03
The Challenge of History,cannot be deflected by ‘magic countersigns’ enters Auden’s poetry gradually, at first almost unnoticeably, until it becomes a dominant topic which eventually determines the title of the largest of the . poems, ‘It was Easter as I walked in the public gardens’, which becomes ‘1929’ in later collections (. 50-3).
直觉好
发表于 2025-3-22 16:09:47
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LAIR
发表于 2025-3-22 20:52:56
s for their engagement with crucial contemporary problems: that of the individual in relation to others, loved ones, community, society, but also transcendental truths. It shows that rather than providing firm answers, Auden‘s poetry emphasises the absence of certainties. Yet far from becoming nihil
Introvert
发表于 2025-3-22 21:12:36
Taming the Monster,son, the dominant feature of Auden’s poems is their refusal (or inability) to integrate themselves into established literary patterns: . Auden’s poetry denies reverence to contemporary standards, such as free verse, and refuses to accept the great models of its time, Yeats and Eliot. Instead it pref
neutrophils
发表于 2025-3-23 03:38:00
Taming the Monster,son, the dominant feature of Auden’s poems is their refusal (or inability) to integrate themselves into established literary patterns: . Auden’s poetry denies reverence to contemporary standards, such as free verse, and refuses to accept the great models of its time, Yeats and Eliot. Instead it pref
epinephrine
发表于 2025-3-23 06:41:02
Early Auden: Farewell to the Signified,ing. The beginning of Justin Replogle’s .’. is a typical example of the confusion they tend to create:.The passage displays a puzzling array of terms for ‘meaning’: there are underlying structures, there are ideas, and there is a pattern created out of them. Replogle also mentions a discrepancy in l