Notorious
发表于 2025-3-25 04:33:10
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高深莫测
发表于 2025-3-25 09:40:18
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陶醉
发表于 2025-3-25 13:02:56
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Fretful
发表于 2025-3-25 19:30:42
https://doi.org/10.1007/978-3-531-91001-7me genre and the representation of the moll. It deconstructs the dominant ideologies and plots the moll’s “rise” and “fall” as a bad woman to explain the extraordinary success of her subversive potential.
SEED
发表于 2025-3-25 23:29:18
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MILL
发表于 2025-3-26 03:16:41
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Restenosis
发表于 2025-3-26 07:56:58
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兽群
发表于 2025-3-26 08:56:11
,Überblick über die Instrumente,ry as a bandit. But the larger socio-economic context is given a miss to make her story of simple binary of rape and revenge. This chapter is an attempt to look at Phoolan’s perspective, where she came from and how the film makes little attempt to look beyond its sexualized lens to paint a stereotypical picture of a woman bandit.
剧毒
发表于 2025-3-26 14:09:14
Martin Heinrich Prof. Dr. phil. habil.lence in rural Haryana. Juxtaposing the film narrative with popular and legal renditions, this chapter seeks to unfold the contradictions and ambiguities in the portrayal of women as perpetrators and interrogate the victim-perpetrator schism. In so doing, it explores female subjectivity as multiple, complex and in constant flux.
隐藏
发表于 2025-3-26 17:41:07
representation of women in cinema—the changing images as welThis book presents a feminist mapping of the articulation and suppression of female desire in Hindi films, which comprise one of modern India’s most popular cultural narratives. It explores the lineament of evil and the corresponding closur