评论者 发表于 2025-3-25 06:05:02

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Digest 发表于 2025-3-25 10:34:06

Modes of Visuality in New India,ns by considering the twenty-first century and the call to ‘see’ challenging images. The chapter moves on to discuss sacred and secular moments of seeing within Indian cultures and how ‘seeing’ is a mode of ‘knowing’ (following Bhatti and Pinney). The chapter specifically considers a shift in how In

供过于求 发表于 2025-3-25 15:04:31

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人类的发源 发表于 2025-3-25 18:53:40

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TIGER 发表于 2025-3-25 21:04:27

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BOOR 发表于 2025-3-26 01:45:19

Book 2018n graphic narratives. If seeing in Indian cultures is a mode of knowing then what might we decode and .know .from the Indian graphic narratives examined here? The book posits that the ‘seeing’ of post-millennial Indian graphic narratives revolves around a visuality of the inauspicious, complemented

Panther 发表于 2025-3-26 06:34:33

Conclusions: Decoding Current Lines and Future Spaces,hapter also explores what we can . from understanding how inauspiciousness is conveyed in form and content in Indian graphic narratives. A summary of findings from the analyses of Chaps. . and . of this book appears here.

戏法 发表于 2025-3-26 12:21:19

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矿石 发表于 2025-3-26 15:29:26

Visuality and Identity in Post-millennial Indian Graphic Narratives978-3-319-69490-0Series ISSN 2634-6370 Series E-ISSN 2634-6389

inscribe 发表于 2025-3-26 17:20:37

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查看完整版本: Titlebook: Visuality and Identity in Post-millennial Indian Graphic Narratives; E. Dawson Varughese Book 2018 The Editor(s) (if applicable) and The A