COMMA
发表于 2025-3-23 11:40:00
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Visual-Acuity
发表于 2025-3-23 14:40:54
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带来的感觉
发表于 2025-3-23 18:28:55
Changes: Thoughts on Myth, Narrative and Historical Experiencevant-garde aesthetics that had such influence then. After the 1983 election and into 1984, I began to feel that work I considered to be ongoing, in the present tense, had shifted into the past to become identified with the previous decade. My formative experiences, desires and failures that had to d
Thyroid-Gland
发表于 2025-3-24 00:32:27
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compose
发表于 2025-3-24 03:02:47
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并入
发表于 2025-3-24 10:25:56
Laura Mulveyrors to take into account any heteroskedasticity that might be present. The use of logarithms to mitigate heteroskedasticity is discussed, and an approach to discriminating between linear and logarithmic regression models is proposed.
奴才
发表于 2025-3-24 14:02:49
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意外
发表于 2025-3-24 15:03:59
Fears, Fantasies and the Male Unconscious , ‘, Don’t Know What is Happening, Do You, Mr Jones?’he penis, the absence of which is the cause of the horror. This is a confirmation of the technical rule according to which a multiplication of penis symbols signifies castration. (Freud, ‘The Medusa’s Head’)
dissolution
发表于 2025-3-24 22:39:08
Visual Pleasure and Narrative Cinema. It is helpful to understand what the cinema has been, how its magic has worked in the past, while attempting a theory and a practice which will challenge this cinema of the past. Psychoanalytic theory is thus appropriated here as a political weapon, demonstrating the way the unconscious of patriarchal society has structured film form.
网络添麻烦
发表于 2025-3-24 23:47:58
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