Nixon
发表于 2025-3-21 16:43:22
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排他
发表于 2025-3-21 22:29:20
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我没有强迫
发表于 2025-3-22 02:44:44
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engagement
发表于 2025-3-22 07:22:47
Andreas Brill,Michael de Vriesy men, and one that they resist, whereas in the earlier work the texts themselves present women in that way, not, certainly, as passive or powerless, but primarily as the focus of male sexual desires and fears. This chapter and the next will examine more systematically the place of the visual in Con
scrutiny
发表于 2025-3-22 08:55:45
Andreas Brillinties of belief or disbelief are not held by the inhabitants of Conrad’s fiction; even the sceptical Martin Decoud will not admit the charges of being ‘godless — a materialist’ and a ‘victim of this faithless age’ (., 198). In the few cases where faith is proclaimed (such as Whalley), the claim is
Dorsal-Kyphosis
发表于 2025-3-22 16:50:03
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MOT
发表于 2025-3-22 18:29:06
Michael de Vriesnds upon a tension between disintegration of the content (Conrad’s perception of turn-of-the-century London) and integration and cohesion of the form (the language and the tightly unified narrative). Conrad creates a language that is moral, civilised, and rational, and a narrator with the intelligen
水獭
发表于 2025-3-22 23:15:57
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针叶类的树
发表于 2025-3-23 02:52:10
Claudia Bremert-picking of Conrad’s little ‘inaccuracies’ of representation), to listen to Conrad’s voice. Conrad’s genius is such that he drew considerable mileage from the little that he knew. The rest, he left to his artistic imagination, for he did not subscribe to knowledge as an end in itself but rather as
北京人起源
发表于 2025-3-23 08:09:37
Frank Simonew project’ then ‘rises’ on the ‘ruins’ of the ‘prior project’ that has decayed into inauthenticity (., 476). Man, Kierkegaard reminds us in his . (84), is ever ‘in process of becoming’ amid a world of flux, whose ‘wholly brute’ assaults undermine man’s valiant efforts so remorselessly that Sartre c