独裁者 发表于 2025-3-21 16:26:42
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https://doi.org/10.1057/978-1-137-28211-8Americas; arts; cinema; culture; directing; documentary film; film; film and television; film history; historBallerina 发表于 2025-3-22 03:39:36
Miriam HadduAnalyses both commercially successful and non-commercially successful Mexican films across a thirteen-year span that saw a dramatic increase in the critical and popular attention given to Mexican cine啜泣 发表于 2025-3-22 05:36:25
,Drug Violence and Narco Wars Part I: Luis Estrada’s , (,) (2010),arrate a darker episode in Mexico’s recent history seen in its so-called drug war. By examining one of the earliest cinematic explorations of the social problem, this chapter provides an introductory discussion on a topic that continues to dominate mainstream national and international news headlines.mutineer 发表于 2025-3-22 08:57:56
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littoral States, who favour the establishment of the Ocean as a ‘zone of peace’. The lead in canvassing the proposal has been taken by Sri Lanka, which first raised it at the Non-Aligned Heads of State Conference in Cairo in October, 1964, and subsequently at the Lusaka Conference of Non-Aligned Sta包庇 发表于 2025-3-22 17:23:22
Miriam Haddu Fifty Years’ Crisis’. It provides a good indication of what he shared with realist thought, but also where he differed from it. It argues, first, that classical realism was a product of its time and that, whatever its earlier strengths, it had now ‘run its course’ and needed to be replaced by a focAggregate 发表于 2025-3-23 01:00:14
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