ensemble
发表于 2025-3-28 16:29:29
https://doi.org/10.1007/978-3-031-10326-1Art in Colombia; Politics in Colombia; Colombian art; Colombian film; Colombian literature; Women‘s resis
使熄灭
发表于 2025-3-28 21:20:26
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graphy
发表于 2025-3-29 02:57:00
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卧虎藏龙
发表于 2025-3-29 05:48:54
The Project of Engaged Science and the Appearance of the ‘People’ in Colombiave and creative energies that manifested in a civil war among peasants and in an academic project called engaged science. This chapter discusses these developments. The first part addresses the peasant civil war through Michel Foucault’s concepts of technologies, technology of the self and biopoliti
翻动
发表于 2025-3-29 09:06:46
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调整
发表于 2025-3-29 15:07:38
The Resistance of the Unarchivable: From Myth to History in José Alejandro Restrepo’srotten fragrance. This first impression remains in the memory of anyone who has seen one of the many installations of .. In entering the exhibition we enter the labyrinth of a lost memory, one mythologized by being repeatedly erased from Colombia’s history: . or ‘the massacre of the banana plantati
商谈
发表于 2025-3-29 19:09:59
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Consensus
发表于 2025-3-29 20:40:44
Bestial Sound: Affect, Metaphor and Posthuman Memory in Clemencia Echeverri’swith the absorbing presence of a vibration that will inhabit it forever. The video installation by Clemencia Echeverri is, first and foremost, a resonance box whose bestial sound installs a deafening, dislocating roar in the flesh, its powerful cacophony striking a shuddering chord in every fiber.