恶心
发表于 2025-3-25 04:49:33
,Rape’s Metatheatrical Return: Rehearsing Sexual Violence in ,ime was ‘habituated’in broader legal and social arenas, and vice versa. Then, in an important aside to contemporary performance scholars, she asks: ‘what are the moral ramifications of theatre’s own scripting and virtuality?’(ibid., pp. 179–80; 167).
枪支
发表于 2025-3-25 09:57:38
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Sciatica
发表于 2025-3-25 15:31:16
,Rape’s Metatheatrical Return: Rehearsing Sexual Violence in ,p of men in town to see a show. The story is not new; in fact, it is ‘one of the foundational narratives of medieval French theatre history’(p. 181). What is new is Enders’s emphasis on Mrs Coton as the victim of an act of violence tied, troublingly, to an act of representation. Enders goes on to ar
锯齿状
发表于 2025-3-25 16:07:20
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Geyser
发表于 2025-3-25 23:53:38
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Fermentation
发表于 2025-3-26 02:37:46
,The Architecture of the Act: Renovating Beatrice Joanna’s Closet,out the sexual violence of space – as its central analytical object, and it marks both the culmination of, and a departure from, the work this book has done so far. I am interested in two related problems here: the spatial dynamics of sexual violation (how a female character’s locatedness on stage p
凝乳
发表于 2025-3-26 07:26:27
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和音
发表于 2025-3-26 09:28:09
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Osteons
发表于 2025-3-26 14:28:55
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IRATE
发表于 2025-3-26 17:16:02
Kim Solgaas it matures, where questions about its future need to be answered. The Internet is no exception to this case. Often called the “next big thing” in global Internet technology, Grid computing is viewed as one of the top candidates that can shape the future of the Internet. Grid Computing takes colle