digestive-tract
发表于 2025-3-21 16:32:49
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acrobat
发表于 2025-3-21 21:34:32
Mary Cowden Clarke: Marriage, Gender and the Victorian Woman Critic of Shakespeare,iting, Shakespeare scholarship was not yet institutionalised within British universities; how did Mary establish herself among contemporary circles of Shakespeare scholars, particularly as the female member of a literary couple?
不如屎壳郎
发表于 2025-3-22 00:28:28
,‘The Clue of Shakespearian Power Over Me’: Ruskin, Shakespeare, and Influence,e and the once loved, now distasteful Cervantes in its account of childhood literary experience because Ruskin was faithfully memorialising John James’s taste, but also because the deeper pattern of his own changes of heart, which I explore in this essay, underlay the memory.
者变
发表于 2025-3-22 04:42:34
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值得
发表于 2025-3-22 11:14:16
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Guaff豪情痛饮
发表于 2025-3-22 15:54:15
Dickens and Hamlet,ty of . is perhaps difficult to substantiate, but there is no doubt that, of all Shakespeare’s plays, . was the play to which Dickens most often alluded.. At first sight Dickens’s interest in . may seem surprising. Dickens, or Mr Popular Sentiment as Trollope infamously called him, was accused of vu
daredevil
发表于 2025-3-22 20:57:21
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otic-capsule
发表于 2025-3-22 23:03:57
Implicit and Explicit Reason: George Eliot and Shakespeare,Men of Letters series. Although she finally declined the invitation, I want to argue that, imaginatively, George Eliot was . absolutely inspired choice for the task — even though Morley himself had earlier approached Matthew Arnold and John Seeley, who both declined. Herbert Spencer had called Georg
bisphosphonate
发表于 2025-3-23 02:54:02
,‘Where Did She Get Hold of That?’ Shakespeare in Henry James’s ,,about the mostly undramatic struggle to live for art, and the mystery of genius. One of the two main protagonists is an actress, so a good deal of it directly addresses the conditions of the late-Victorian theatre, and the relation between British, French and (a little) Italian culture. One reason f
平躺
发表于 2025-3-23 07:31:58
,Shakespeare’s Weeds: Tennyson, Elegy and Allusion,ing the idea of the literary critic as a type of cultural shaman: ‘I began with the desire to speak with the dead.’ However, critics are not alone in hoping that their writing will allow them to speak with the dead; nor are they alone in being aware that, in Greenblatt’s words, ‘works of art, howeve