FECT 发表于 2025-3-23 13:18:09
http://reply.papertrans.cn/95/9440/943940/943940_11.pngcultivated 发表于 2025-3-23 17:13:51
http://reply.papertrans.cn/95/9440/943940/943940_12.png直觉没有 发表于 2025-3-23 20:48:40
Nightmare City: Gothic , and Wartime Spectacle in Henry Green and Roy Fuller,de central passages lined on both sides by shops. As the middle-class grew richer, new diversions emerged, particularly cafés and other semipublic spaces. These new spaces offered what Christopher Prendergast calls “a special kind of visual field, peculiarly open to the mobile gaze and unforeseen en饮料 发表于 2025-3-24 01:33:19
http://reply.papertrans.cn/95/9440/943940/943940_14.png愉快吗 发表于 2025-3-24 02:51:50
http://reply.papertrans.cn/95/9440/943940/943940_15.png概观 发表于 2025-3-24 10:22:28
http://reply.papertrans.cn/95/9440/943940/943940_16.png反抗者 发表于 2025-3-24 12:45:37
,“The Rubbish Pile and the Grave”: Nation and the Abject in John Piper, Graham Sutherland and Mervyns, cemeteries and graves. I argue that literary depictions of the corpse subvert the neat memorialising performed by the British nationstate. First, I will discuss how the dead were built into a narrative of British national heroism, and then I will examine how the wartime writing of John Piper, Gra放大 发表于 2025-3-24 17:22:52
http://reply.papertrans.cn/95/9440/943940/943940_18.png明智的人 发表于 2025-3-24 23:05:30
http://reply.papertrans.cn/95/9440/943940/943940_19.png转向 发表于 2025-3-25 01:46:39
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