要旨
发表于 2025-3-21 20:04:12
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Apoptosis
发表于 2025-3-21 23:18:03
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侵略主义
发表于 2025-3-22 03:30:40
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镀金
发表于 2025-3-22 06:32:51
Georg Altmannnth century. If Shelley’s political oeuvre, as well as those texts that sport Titanic champions, possesses a clearly discernible focus, the lyrical section of his works remains somewhat of a rattlebag, depending on the definition of “lyrical.”. Many theories include two criteria: the speaker’s emoti
半导体
发表于 2025-3-22 11:15:08
Georg Altmannthe Indian Caucasus for much of Acts I, II, and III, shifting scene to a cave beside a temple at Athens. in Act IV. The action takes place in the continuous present:. when the play opens, Prometheus has been bound to a precipice of icy rocks in the Caucasian mountains for three thousand years, ‘the
optional
发表于 2025-3-22 13:32:46
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Laconic
发表于 2025-3-22 18:05:50
Georg Altmannf-analysis was a ‘potent . weapon’ (1989, p. 3). Clark has also recognized the importance of the medical definition of sensibility, and regards it as primary to Shelley’s understanding of the term ., p. 44). As Karl M. Figlio has written of the period’s science, ‘Concepts, such as organization, irri
大火
发表于 2025-3-22 22:38:36
Georg Altmannlting decay of her self and her garden, and the restrained, dignified iambic conclusion only emphasises this disparity between metrics and subject-matter. These two poems seem like such sports: fables with endings that leave everything up in the air. The conclusion of . undercuts what went before, t
Apogee
发表于 2025-3-23 02:12:08
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宣誓书
发表于 2025-3-23 09:06:32
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