Motion 发表于 2025-3-21 19:09:05

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optional 发表于 2025-3-21 22:02:37

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MILK 发表于 2025-3-22 02:55:59

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易发怒 发表于 2025-3-22 06:08:18

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misanthrope 发表于 2025-3-22 12:27:49

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微生物 发表于 2025-3-22 13:12:21

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Repatriate 发表于 2025-3-22 17:59:46

Stephanie van de Looalls for music, by following Kemble’s example of 1810, and opening the play with the shipwreck, thereby making Viola into the principal character who enters with the famous question ‘What country, friends, is this?’ and who then becomes the central focus of attention in the action that follows.

渐变 发表于 2025-3-23 00:44:32

Jakob Röselhe harsh constraints of historical actuality. The wishful projection of this metamorphosis is always qualified, however, by a realistic registration of the fact that humanity remains in thrall so far to the callous sway of the here and now. Reassessed from this point of view, Shakespearean comedy an

最后一个 发表于 2025-3-23 02:48:30

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独行者 发表于 2025-3-23 05:36:55

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查看完整版本: Titlebook: Unfriedliche Religionen?; Das politische Gewal Mathias Hildebrandt,Manfred Brocker Book 2005 VS Verlag für SoziaIwissenschaften/GWV Fachver