miracle
发表于 2025-3-27 00:13:48
The Uses of Genre: Productivity, Cultural Distinction and Shared Culture,creation and distribution of these texts. It argues that genres and other architexts serve to mitigate risks in an industry of prototype, that they can serve as intertextual building blocks and that they can be used to trigger cultural memories, occasionally tied to cultural hierarchies.
剧本
发表于 2025-3-27 04:17:11
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FACT
发表于 2025-3-27 07:01:33
Nicolas LabarreLooks to devise a new model to analyse comics through genres in an approach based on the comic as a medium rather than films.Examines the continued use of genres at a time when data-driven cartographi
adduction
发表于 2025-3-27 10:32:34
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潜移默化
发表于 2025-3-27 16:30:56
2634-6370 ntinued use of genres at a time when data-driven cartographi.This book offers a theoretical framework and numerous cases studies – from early comic books to contemporary graphic novels – to understand the uses of genres in comics. It begins with the assumption that genre is both frequently used and
好色
发表于 2025-3-27 20:00:15
How Genres Emerge: Horror Comics,hile the two labels were perceived and used as differences of degrees up to that point. The chapter also argues that the potency of this moment of genre definition led to an unusual stability of the horror genre in the following three decades.
xanthelasma
发表于 2025-3-27 23:11:57
Invisible Genres and Other Architexts,ll of the functions of established genres. It offers a range of hypothesis regarding the threshold of genericity in the comics world, based on the existing of conflicting architextual claims and on the criteria used to adjudicate the resemblance between the various members of the grouping.
600
发表于 2025-3-28 05:22:29
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脆弱带来
发表于 2025-3-28 09:47:20
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知识
发表于 2025-3-28 10:46:21
Where Are Genres in Comics?,the use of the paratext to advertise genres has undergone a significant transformation since the 1940s, with a shift from genres to proprietary architexts, enabled by the physical properties of comic books and graphic novels. The chapter also examines the funny animal genre, to argue that nearly all