鸣叫大步走
发表于 2025-3-21 18:36:56
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MIRE
发表于 2025-3-21 21:54:04
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妨碍议事
发表于 2025-3-22 04:09:17
Shakespeare at Work,ing the more confident re-handling. He may have borrowed feathers from Greene and his fellow wits but would be unlikely to lift passages verbatim from their plays. He more probably salvaged lines from his juvenilia and threw away the worser part of them.
tenuous
发表于 2025-3-22 04:38:39
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RALES
发表于 2025-3-22 09:08:43
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Lipoma
发表于 2025-3-22 16:05:55
Introduction,ed that ‘Whether you approach from the angle of the texture of the verse, the verse-styles, character, plot or theme, you encounter what geologists call “unconformities”.’. A similar term had already been employed by M. R. Ridley, commenting on theories of composite authorship in .: ‘any
走调
发表于 2025-3-22 20:59:19
,The Whole Contention — One Play into Two,nd even their titles are sometimes misleading. Thus everything points to the likelihood that Shakespeare began his series of plays about English kings with what the Folio called .. This is a firmly plotted drama which has a natural sequel in . but which presupposes no antecedent history play and ind
Countermand
发表于 2025-3-22 23:00:30
,Treachery and Dissension — Two Plays into One,ay: the war in France and the ‘jarrings’ in England. There is monumental disagreement, however, as to whether these components do, or do not, compose one play. Most modern scholars of repute, including Tillyard, Alexander, Price, Kirschbaum, Bullough, Brockbank, and Cairncross — a formidable enough
歹徒
发表于 2025-3-23 04:22:42
,Plots and Prophecies — The Tragedy of King Richard the Third,l’ of all his plays.. In a sense it is a metadrama in which a self-styled villain conspires with the spectators to produce a black comedy and himself plays a variety of roles in order to deceive and discomfit the other members of the cast. This actor-villain speaks a total of 166 lines (i.e. about 4
无弹性
发表于 2025-3-23 06:41:32
The Troublesome Theme of King John,ternal evidence to help us fix the date of composition of this play. For that matter it may have been the end-product of several stages of rewriting. In the absence of convincing proof for a very early dating (like that proposed by E. A. J. Honigmann in the new Arden edition) or a very late dating,