Denial
发表于 2025-3-21 19:32:07
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PAGAN
发表于 2025-3-22 00:12:18
,Epilogue: The Story that Won’t Stay Dead,ld be unwarranted; yet as the twenty-first century began, dramatic versions of ., like Broadway itself, continued to rise Lazarus-like from the grave, albeit none were close to the scale of their nineteenth-century ancestors.
invert
发表于 2025-3-22 04:12:35
,“There is No Arguing with Pictures”: The Aiken/Howard ,d by the “thousands, and tens, and hundreds of thousands,” it was only natural that it should be transferred to the stage. The tone of the article indicated that the novel’s transformation to the stage was hardly a surprise; rather, there was a sense of inevitability about it.
翻动
发表于 2025-3-22 05:28:37
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bifurcate
发表于 2025-3-22 09:39:12
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创新
发表于 2025-3-22 13:58:12
,“A Play to which No Apologist for Slavery Could Object”: The Conway/Kimball/Barnum ,k companies in Cleveland, Cincinnati, Salt Lake City, Philadelphia, and San Francisco; at Rice’s Theatre in Chicago; and, in a version by Clifton W. Tayleure in Detroit, as well as those in New York. By the end of the year, New Yorkers could see a version of Stowe’s classic at the National; one at B
craven
发表于 2025-3-22 20:51:21
,“O’ It Was a Sight Worth Seeing”: Uncle Tom Hits the Road,traordinary scene ever presented in our theatrical annals was witnessed at the NATIONAL.”. In this fashion, Philadelphians learned that “The Cabin,” as the . writer dubbed it, had been brought out in “fine style” and that Uncle Tom mania had seized the city. While the . column applied onl
头盔
发表于 2025-3-22 22:54:31
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Aprope
发表于 2025-3-23 01:30:54
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妨碍议事
发表于 2025-3-23 07:21:27
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