节约
发表于 2025-3-23 11:57:45
Yoko Tawada’s ,: An Aesthetic Leap Toward a Queer and Uncanny Ecologyors (through a western looking-glass) Yoko Tawada’s topsy-turvy portrait of . in an age of post-nuclear affairs. The work of the American artist always succeeds in making its spectator feel uneasy, for what the reader views is both strange and familiar, or both home-like and unwelcoming, obliging he
Ossification
发表于 2025-3-23 17:15:43
Documenting Pain Through Love, “Tomoko and Mother in the Bath” by W. Eugene Smithd John Berger. And yet, this uncanny image of pain and love, reminiscent of Michelangelo’s Pietà, remains a mystery in many ways. Did Smith ask Tomoko and her mother to pose like the Virgin Mary and Jesus in Michelangelo‘s masterpiece, or did he capture them in a spontaneous embrace? How can the ima
Intellectual
发表于 2025-3-23 19:04:39
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Pericarditis
发表于 2025-3-24 00:56:17
Thin Places, Other Worlds, and Visual Layering in Cinemahis film displays a ghostly figure interfering with a family’s meal through the cinematic technique of superimposition. The supernatural is therefore conveyed through a second visual layer, simultaneously of the image, yet not of the world it portrays. This can be traced further back to double expos
要求比…更好
发表于 2025-3-24 04:39:21
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胖人手艺好
发表于 2025-3-24 07:45:14
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绝缘
发表于 2025-3-24 12:13:29
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glowing
发表于 2025-3-24 15:19:14
The Uncanny, Unsurmountable Beliefs and Post-revolutionary Mexico in Juan Bustillo Oro’s , (1934)ng to a profoundly Catholic audience vis-à-vis a liberal government. This reading of . is built upon one of Sigmund Freud’s signature notions: the uncanny, concept dating to at least 1919, and serves not only to nuance our understanding of Freud’s reception in Mexico, but also illustrates the contra
废除
发表于 2025-3-24 22:03:03
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precede
发表于 2025-3-25 00:10:47
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