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https://doi.org/10.1007/978-3-031-52897-2visual culture; literary theory; comparatistics; Text/Image; Cultural History投票 发表于 2025-3-22 00:27:47
978-3-031-52899-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature SwitzerlFRAX-tool 发表于 2025-3-22 07:58:21
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http://reply.papertrans.cn/92/9132/913153/913153_5.png辩论的终结 发表于 2025-3-22 16:51:19
2366-7516to the twentieth-century avant-garde, this book shows how ekphrastic techniques are historically determined by the relationship between p978-3-031-52899-6978-3-031-52897-2Series ISSN 2366-7516 Series E-ISSN 2366-7524刀锋 发表于 2025-3-22 17:27:39
Book 2024l texture. Following the rhetorics of ekphrasis throughout the Western tradition, from its origins in Philostratus, its reappraisal by Johann Joachim Winckelmann, to the twentieth-century avant-garde, this book shows how ekphrastic techniques are historically determined by the relationship between pdrusen 发表于 2025-3-22 21:27:11
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2366-7516 ffers a theory of ekphrasis—the literary description of an artwork—from the perspective of .Visual Culture. studies. A theory of ekphrasis must take into account not only the rhetorical strategies articulated in the description of artworks, but also the complex interplay that holds together the .pic狂乱 发表于 2025-3-23 08:04:27
https://doi.org/10.1007/978-3-642-97181-5e striving to exploit product-market opportunities through innovative and proactive behavior”—the type of behavior that is called for by corporate entrepreneurship. Barringer and Bluedorn (1999) suggested that in light of the dynamism and complexity of today’s environments, “… entrepreneurial attitu