勾引 发表于 2025-3-27 00:07:20

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传染 发表于 2025-3-27 02:59:19

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培养 发表于 2025-3-27 06:43:17

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macular-edema 发表于 2025-3-27 13:10:11

Raimund Ellinger,Wolfgang Schöffmann communications and applies some of the art of sonic branding, it gains access to a whole world of communications opportunities that it never had before - like a café in Capri. Maybe your audiences are not in a café but on the beach or in their cars, listening to the radio, or in the kitchen, making

汇总 发表于 2025-3-27 14:14:23

Wolfgang Schöffmann,Markus Brillinger,Martin Ratasich,Inigo Garcia de Madinabeitia Merino,Markus Bac method for annotating the qualities of gestural sonic objects on multimodal recordings; ranking which features in a multimodal dataset are good predictors of basic qualities of gestural sonic objects using the Random Forests algorithm; and a supervised learning method for automated spotting designe

儿童 发表于 2025-3-27 17:49:17

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AMEND 发表于 2025-3-28 00:30:57

Verena Isabelle Kreuzer,Markus Tomaschitz musicians (a pianist, a violinist, and a guitarist) performed three tasks, each corresponding to a phenomenological reduction. Data were collected using a phenomenological approach through semi-structured interviews, observations, and audiovisual recordings. The analysis revealed three different at

Custodian 发表于 2025-3-28 04:19:54

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小溪 发表于 2025-3-28 08:10:03

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Mucosa 发表于 2025-3-28 13:12:28

Matthias Bajzek,Johannes Fritz,Hannes Hick,Michael Maletz,Clemens Faustmann,Gerald Stieglbauerents (DMIs) and elements of virtual environments (VEs), IVMIs have the potential to transport the musician into a world of imagination and unprecedented musical expression. But when the final aim is to perform live on stage, the employment of these technologies is anything but straightforward, for s
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