为敌 发表于 2025-3-23 10:37:35
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n approach, better in tune with complex interactions and interdependencies that have emerged on our policy agenda today. One of the features of this space for interactions that is public policy is its mission orientation. Such an orientation is accompanied by the evolution of public policy instrumenheirloom 发表于 2025-3-23 20:58:48
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http://reply.papertrans.cn/89/8844/884392/884392_14.png狼群 发表于 2025-3-24 05:26:07
http://reply.papertrans.cn/89/8844/884392/884392_15.pngInvigorate 发表于 2025-3-24 10:33:39
Stigmatization, Syphilis, and Prostitution: The Discursive Construction of Sex Workers, Disease, andres the worst violence goes unchecked. I argue that instead of stigmatizing the populations who are prone to diseases like syphilis, we should strive to openly accept the marginalized communities as something other than either test subjects for vaccines or problems needing to be quarantined away. In枪支 发表于 2025-3-24 10:42:57
Marriage, Motherhood and the Future of the Race: Syphilis in Late-Victorian and Edwardian Britaine late-nineteenth and early-twentieth centuries. At a governmental level, this anxiety found form in the 1904 Inter-Departmental Committee on Physical Deterioration, which took special interest in syphilis. At the same time, British feminists used syphilis as a vital part of their critiques of the iAIL 发表于 2025-3-24 17:48:16
Suspect Bodies, Suspect Milk: Milk Sharing, Wetnursing, and the Specter of Syphilis in the Twenty-Firactice in recent years. In this chapter, we consider the contemporary phenomenon of human milk sharing and banking through the lens of nineteenth- and twentieth-century concerns about syphilis and wetnursing. We draw on ethnographic observation, qualitative survey responses, and media representatio削减 发表于 2025-3-24 22:01:49
http://reply.papertrans.cn/89/8844/884392/884392_19.png毛细血管 发表于 2025-3-25 00:07:35
Unspeakable Horror: Outing Syphilis in Joseph Conrad’s ,etoric of disease, which yokes together medical fears and problematic sexual morality with a global violence infecting self-congratulatory European benevolence and charity. Conrad’s tale is both implicitly and explicitly eroticized as well as steeped in gothic representation of the hidden and reveal