露天历史剧
发表于 2025-3-23 13:12:05
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不成比例
发表于 2025-3-23 17:18:12
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COMMA
发表于 2025-3-23 18:52:41
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Conquest
发表于 2025-3-24 00:54:43
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Ingenuity
发表于 2025-3-24 03:26:19
,‘CAVCA Buries BIACI’: Activating Decolonial Tools in Cartagena de Indias,ation of an artist activist collective forged as a result of the lack of support for the region’s artists. The Biennial was designed to attract the globetrotting art elite and promote Cartagena as an artistic center at a time when the state was attempting to improve its international image and prese
爱管闲事
发表于 2025-3-24 09:30:54
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蚀刻术
发表于 2025-3-24 11:33:08
Pimicikimak Sovereignty: Cree Sustainability and Hydroelectric Inundation in Northern Manitoba,ince the 1970s, the Cree have long fought for just relations with the utility Manitoba Hydro, the province of Manitoba, and Canada’s federal government. In this context, Cree self-government functions as a performative path to sovereignty as well as a means to resist exploitative relationships impos
ALIEN
发表于 2025-3-24 18:18:34
INTERVIEW Already-And: The Art of Indigenous Survivance, L’Hirondelle’s work is grounded in the Cree language, which she instructs is indivisible from the land-based practices of the Cree worldview, or .. This is ‘a way to see, and a way to be in the world.’ For L’Hirondelle, this is often expressed in her practice through ‘stealth’ and subversive modes
冥界三河
发表于 2025-3-24 19:46:44
,Sustainable Practices on the US–Mexico Border: inSITE_05, Intervention, and Precarious Communities,ip to the ongoing activist work that had taken place in that area, including the creation of Chicano Park under the five interstate and the agitprop performances of the Border Arts Workshop? And finally, how can these projects be read today in the wake of global popular uprising and anti-capitalist sentiments?
vitrectomy
发表于 2025-3-24 23:40:56
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